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Dec 22, 2017
Steve Gomez - Chief Investigator

Noir Factory Interrogation #004: Dmitri Matheny – Jazz Noir

Dmitri Matheny - Noir FactoryCrime Jazz: “The Femme Fatal. The cop on the beat. The hard-boiled detective. The saxophone under the street lamp in the fog. It’s the music of “Chinatown” and “Taxi Driver.” – Dmitri Matheny

Today we talk with jazz great and noir aficionado Dmitri Matheny on jazz, television and big screen noir, improvisational jazz, and what it is about some music that just grabs you and won’t let go.

You can find all things Dmitri Matheny HERE!



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Dec 22, 2017
Steve Gomez - Chief Investigator

Noir Factory Podcast #035 – Sexton Blake: Pulp Detective

Sexton Blake - Noir Factory“If there is a wrong to be righted, an evil to be redressed, or a rescue of the weak and suffering from the powerful, our hearty assistance can be readily obtained. We do nothing for hire here; we would cheerfully undertake to perform without a fee or a reward. But when your clients are wealthy, we are not so unjust to ourselves as to make a gratuitous offer of our services.” – Sexton Blake

As the 19th century came to a close, Arthur Conan Doyle’s Sherlock Holmes was the undisputed heavyweight champ of popular fiction. From London to California, the exploits of the World’s Greatest Detective was the stuff of legend, and the public, more literate now than at any other time in history, were hungry for more.

And while Arthur Conan Doyle was hoping to distance himself from his great creation, one man, Henry Blyth saw a hole in popular fiction that needed to be filled. And while he was just the man to do that, he saw no reason to re-invent the wheel.
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Aug 10, 2017
Steve Gomez - Chief Investigator

Noir Factory Interrogation #003: Will Viharo – Gonzo Pulp Writer

Wil Viharo - Gonzo Pulp Writer - Noir FactoryWill Viharo is the author of the Vic Valentine series as well as the host of Seattle’s Noir at the Bar, a seasonal showcase that combines author readings with alcohol, the way God intended it.

He is a writer that defies classification, with his work mixing humor, surrealism, gore, violence, and sex.

His newest work, Vic Valentine, International Man of Misery, is due out this fall and in this interrogation I get a chance to get the skinny from an unconventional writer, society observer, and all-around good guy.

You can connect with Will at

Cover Art provided by Matt Brown. You can find his work here.
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Jul 27, 2017
Steve Gomez - Chief Investigator

Noir Factory Podcast #034 – Joseph Weil: The Yellow Kid

Joseph Weil The Yellow Kid - The Noir Factory“Who’s going to believe a con artist? Everyone if she’s good.” – Andy Griffith

Joseph Weil was born in Chicago in 1875 to Mr. and Mrs. Otto Weil. The couple owned a small neighborhood grocery store and made a decent income. Their boy, Joseph, helped out after school by sweeping up and stocking shelves.

And then he discovered racehorses.

He quit school at seventeen to work as a debt collector, and while he was successful at collections, it was observations that were really his specialty. At the end of the day, when he turned in his collections, he noticed that his fellow collectors were a little short. These collections went to bookkeepers who, in turn, were a little short on their offerings.

Weil let his fellow workers know that he had noticed their “inconsistencies” and hinted that others might be interested as well. Soon he was the recipient of 10% of those said “inconsistencies.”
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Jul 16, 2017
Steve Gomez - Chief Investigator

Noir Factory Podcast #033 – The Black Sox – Baseball’s Most Notorious Scandal

The Black Sox - Baseballs Most Notorious ScandalI’m forever blowing ballgames,
pretty ballgames in the air.
I come from Chi, I hardly try,
just go to bat and fade and die.
Fortune’s coming my way,
that’s why I don’t care.
I’m forever blowing ballgames,
and the gamblers treat us fair.

-Ring Lardner

You could say that it started with Charlie Comiskey, because a lot of things started with Charlie Comiskey in Chicago in 1919. Comiskey owned the Chicago White Sox, a serious contender in any year, and he enjoyed the reputation as a tightwad and a fierce negotiator.

I want to go on record by saying that although Comiskey fostered the reputation as a hard-guy and a tightwad, the payroll of the Chicago White Sox was one of the best in the league. The team was filled with solid players and had two bona fide stars on its roster; outfielder Joe Jackson and third baseman Buck Weaver. They each made over $6000 a year in 1919 and a lot of the other name players on the team made around half that. And that was about what they would have made on any other roster in the Bigs, so while money was a factor in the Black Sox Scandal, it wasn’t the only factor.
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